“DEED” is my first personal art exhibition at Galería Prima, Proyectarte Foundation.
Pieces
“Bill Evans liner notes to Kind of Blue, 1959″, vinyl plotting over PVC.
“Músicos”, Portfolio of letterpress engravings.
“Quotation of a Dream”, 2 silkscreens.
For further details:
contacto@atomenegazzo.com.ar
“There is a Japanese art in which the artist is forced to be spontaneous. He must paint on a stretched parchment, with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Erasures or changes are impossible. The artists must practice a particular discipline, that of allowing the idea to express itself in communication with their hands in such a direct way that deliberation cannot interfere.
The resulting pictures lack the complex composition and textures that ordinary paintings have, but it is said that those who see will find something captured that escapes explanation.
This conviction that direct deed is the most meaningful reflection, I believe, has prompted the evolution of the extremely severe and unique disciplines of the jazz or improvising musician.
–Bill Evans, from the liner notes to “Kind of Blue,” 1959
En castellano:
“ Hay un arte Japonés donde se fuerza al artista a ser espontáneo. El debe pintar sobre un pergamino, con un pincel especial y tinta negra de tal manera que una pincelada poco natural o interrumpida destruiría la línea o se atravesaría el pergamino.
No son posibles las borraduras o correcciones. Los artistas deben practicar una disciplina particular, esa de permitir que la idea se exprese por sí misma en comunicación con sus manos de manera tan directa que la deliberación no puede interferir.
Las imágenes resultantes carecen de la complejidad de la composición y texturas de las pinturas tradicionales, pero se dice que aquellos que saben miran van a encontrar algo capturado que escapa la explicación.
Esta convicción de que la acción directa es el reflejo más significativo, en mi opinión, ha provocado la evolución de las disciplinas extremadamente severas y únicas del Jazz y de la música improvisada”.
Bill Evans, comentarios del disco de Miles Davis “Kind of Blue”, 1959.
This slideshow requires JavaScript.
“Músicos” is a portoflio that consists in 80 numbered and signed folders, each one containing a front matter, 6 letterpress drawings and “Silence”, a Langston Hughes poetry.
Paper: Hahnemühle Copperplate 300grs.
Size: 24x34cm
These two drawings were used to edit 15 numbered and signed 80x70cm silkscreen originals.
Ready-made.
SILENCE
I catch the pattern
Of your silence
Before you speak
I do not need
To hear a word.
In your silence
Every tone I seek
Is heard.
Langston Hughes
This poetry is printed with letterpress in “Músicos” colophon.
Objeto encontrado durante el proceso creativo.
Founded object during de creative process.
|
